![]() ![]() Let’s slow down a clip that has been shot at 60 frames per second. With this technique, you’ll get a nice, slow-motion effect. Otherwise, your best bet is to choose Clip > Speed/Duration to change the speed of the clip, which is mentioned in Chapter 7. ![]() This technique works only with cameras that have a high frame rate (like 720p60 cameras). You can of course cut footage of differing frame rates together into the same sequence, and Adobe Premiere Pro will automatically blend the frames so the proper speed is maintained.īut what if that’s not what you want? Perhaps you shot footage at 60 frames per second to conform it to play back at 30 frames per second. The footage frame rate is set in the camera, but the sequence frame rate is set by you when you create it. Choose the wrong setting and your alpha channel may be reversed or a video file won’t play back because of an incorrect frame rate.īut sometimes you’ll have to tweak these settings, if, for whatever reason, they were interpreted incorrectly.įor this section, you’ll be looking at the footage in Lessons and Media > Lesson 04 > 04_getting_started. Of course, any time you monkey with the way Adobe Premiere Pro interprets the footage, you’re taking the chance that your footage might not look right. They include graphic files or footage that is missing a flag for pixel aspect ratio correction or correctly removing extra frames from 24p material. There are some very good reasons for reinterpreting your footage. In situations in which you’re bringing in audio with multiple mono tracks, such as an interview where each person has a microphone, it might be warranted to override a stereo recording to be interpreted as a pair of mono tracks. ![]() If desired, adjust the setting to your needs. Choose Premiere Pro > Preferences > Audio (Mac) or Edit > Preferences > Audio (Windows).You can resolve 99 percent of improper audio imports by setting the Adobe Premiere Pro Preferences correctly. This happens based on the Audio preferences. When you import audio, Adobe Premiere Pro uses the default interpretation based on the clip. Just remember that if the audio clip is already used in a Timeline, that version of it won’t be changed. Choose Clip > Modify > Audio Channels to change the audio information. If this clip was dragged to a Timeline, it’d take up two tracks.įigure 4.18. In the 04_getting_started project, we intentionally imported the Mono music.mp3 clip by forcing it to be a pair of mono clips in the Audio preferences by setting the Default audio tracks (on import) to be Mono. If an imported stereo clip was incorrectly interpreted as a pair of mono tracks, it’s possible to fix it pretty quickly. Switching incorrectly set stereo elements Prior to CS6, it was crucial to understand how to modify audio channels in a clip, but it’s a skill that is nearly no longer necessary. A cool feature of Adobe Premiere Pro is that you’re able to handle the audio easier because it’s a single element. You may be familiar with other editorial tools that use a pair of tracks to handle stereo (usually a pair of mono tracks). This is perfect if you need to edit now before the voice-over artist is available (or you’re the voice-over artist!). In this video you’ll learn how use the Audio Mixer to record a scratch track. ![]()
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